Volume XXI - 1955
The "Lady Of The Woods" Revisited
By Richard M. Brown, Assistant Park Naturalist
Clink! Clink! Clink! Metallic lappings penetrated the usually quiet
forest of hemlocks on the slope of Mt. Mazama. This day, the 19th of
October, 1917, would be the last to hear the sounds drifting out through
the trees from this particular source. For many days, beginning on the
4th of that same month, these trees had attended this unaccustomed
industry by man here on the side of the mountain. More responsive
audience, especially of the human sort, was scant. Few heard and even
fewer sought out the alien sound. But now the final blow had been
struck; natural tranquillity would soon return to the hemlocks.
Evidence of man's passing would remain, however, through the years
and decades in this lonely spot within the forest. For here would rest
alone the figure of a woman, patiently chiseled forth from the side of a
great boulder lodged among the trees. Incomplete, she reclines relaxed
against the volcanic rock as though she were a sleeping beauty awaiting
the day when her creator would arrive to bring her to full realization.
She would have a long wait for the craftsman's return, and even then she
would not receive the finishing touch of his hand.
The Lady of the Woods 8 August 1954
Photo by C. Warren Fairbanks
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The story of the "Lady of the Woods" has now been told many times --
too often to be repeated here in much detail. The interested reader is
encouraged to look further into the various accounts relating to this
fascinating episode of local history. All of those mentioned here may be
found in the library at Crater Lake National Park, home of the "Lady of
the Woods."
Dr. Earl Russell Bush, official surgeon for the U. S. Engineers in
1917, was stationed in Crater Lake National Park during the summer of
that year. The pressure of his duties had lessened considerably toward
the end of the season. Seeking some manner in which he could occupy his
free moments productively and, at the same time, express the feelings of
love and inspiration which the lake and surrounding country had aroused
in him, the concept of a sculptured figure occurred to him. Such a
figure would be a symbol of the park's wilderness and little-noticed
richness of life -- its fecundity, as Dr. Bush has so frequently
expressed it.
After wandering through the forest and finding at some distance from
the main camp a rock that suited his desires, Dr. Bush persuaded the
blacksmith, William Ivy, to make an appropriate set of tools. The work
began on October 4. Progress was slow, especially because of the
hardness of the rock. Fortunately, with his background as a doctor, he
was not discouraged by the lack of a model. Unfortunately, winter and
its hazards are here very much at hand this late in the year; little
time remained for carrying out this project. Then came the day of
departure, October 19, the figure still lying incomplete against the
surface of the boulder.
Dr. Bush had continued his carving for about a week without notice
by other members of the staff. Feeling a sense of slight embarrassment
about this undertaking, he had mentioned to no one the purpose of his
visits into the woods. However, curiosity and the persistent tapping of
hammer and chisel eventually led a few to seek out the site of this
activity. Although he was reassured by the praises which came forth upon
their viewing the results of his efforts, Dr. Bush pledged them to
secrecy. Mr. Alex Sparrow, Superintendent, was alone granted permission
to let Mr. William G. Steel, U. S. Commissioner, know about it the
following summer. Thus, in 1918, Mr. Sparrow covered the stone chips
with pine needles and took Mr. Steel to see it, pretending that he had
discovered some Indian carvings which Mr. Steel didn't know about. "The
old gentleman, an authority on the Klamath tribe, was not to be fooled.
Said he, 'In the first place it isn't an Indian woman for she has too
long legs; in the second, the concept is not Indian but rather
classical.' Told the truth he joined the others in secrecy but wrote to
me for details." (Bush, 1953).
This secret was well guarded by all who shared it. Mr. Steel was U.
S. Commissioner for the park until 1934, and Mr. Sparrow was
Superintendent until 1923, but it was not by either of them that the
secret was finally revealed.
The discoveries of the "Lady of the Woods" which were made during
the following years provided several remarkable speculations as to how
the figure had been created and, for those who did recognize it as a
work of man, some extraordinary tales in respect to the motivation of
the sculptor. Some of the newspaper articles in the Steel scrapbook
collection in the park library today make almost incredible reading. The
first of these discoveries, by workmen in the park in 1919, produced
speculations that this was an effigy or petrifaction which might be
older than the mummies of Egypt and New Mexico and would merit
investigation by scholars (Anonymous, 191 9a, 1919b)! Some have thought
it to be a natural formation. One legend, which gained rather wide
circulation in various versions, explains the carving as a response to
the loss of a loved one (Willson, 1923).
The true origin of the "Lady of the Woods" was first revealed to the
general public two years later, in August, 1921, following the
appearance of an article by Anne Shannon Monroe (1921). This account
stimulated Mr. F. E. Miller, of Portland, Oregon, to make it known that
the figure was carved by Dr. Bush (Anonymous, 1921a). The same
information appeared in several places shortly afterward (Anonymous,
1921b, 1921c). The story was soon verified by Dr. Bush himself in a
letter to Anne Shannon Monroe (Anonymous, 1921d) and was made available
a year later in more permanent form by the Mazamas (Monroe, 1922).
Word concerning the "Lady of the Woods" seems not to have traveled
very far during the years immediately following the first revelation of
its creator. There appeared in 1923 a lengthy article which, on the
basis of an expedition to study the figure, included new speculations
concerning its origin (Willson, 1923). Among other suggestions, it was
put forth by Samuel Hubbard, then curator of archaeology at the Oakland
museum, that this might be the cast of an actual woman who had been
engulfed by a flow of volcanic mud which poured down the sides of Mt.
Mazama. He reasoned that the mud would not have been hot enough to
destroy the body and would have solidified quickly. After a period of
time, disintegration of the body would have left a perfect mould. A
later eruption of volcanic mud was then presumed to have flowed down the
mountain and into this mould, filling it completely and solidifying.
Five months later the truth was set forth again (Anonymous, 1924).
Not until 1925 did Mr. Steel himself, on the basis of a letter to
him from Dr. Bush, publish an account of the sculpturing (Steel,
1925).
By 1930, interest in the "Lady of the Woods" had increased so
greatly that it had become necessary to construct a trail to it from a
point near the old office building (Solinsky, 1930). Today the trail,
marked by one or two simple signs, passes the south end of the Ranger
Dormitory, over the creek crossed by a small bridge, and westward a few
hundred feet to the site itself, also provided with a simple sign.
The origin of "Lady of the Woods" as the name for this figure
remains in doubt. It seems to appear for the first time in Anne Shannon
Monroe's (1921) article. Dr. Bush thinks that it may have been bestowed
by Mr. Kiser, who held a photographic concession in the Park in the
1920's (Bush, 1953).
On August 8, 1953, during the brief period from noon until 2:00
p.m., I had the great good fortune of being on duty in Sinnott Memorial.
During that period, I met and spoke with Mr. and Mrs. Claude Shafer, of
Cincinnati, who indicated that they were personally acquainted with Dr.
Bush. Later that same afternoon, I had the opportunity to conduct Mr.
Shafer to the "Lady of the Woods," thus enabling him to fulfill a
promise which he had made to Dr. Bush that he would visit it. Mr. Shafer
was kind enough to write a brief note in our log book and, of
considerably greater importance, to supply a current address for Dr.
Bush.
This meeting prompted me, within the next few days, to write a
letter to Dr. Bush, asking for further information concerning the "Lady
of the Woods" and attempting to determine the possibility of his
visiting Crater Lake. The reply which arrived within a few days greatly
exceeded my hopes. This lengthy letter includes many fascinating details
of Dr. Bush's stay here in 1917, many of which had not been recorded
previously. To my delighted surprise, he closed with, "Hoping to have
the pleasure of meeting you next year..." (Bush, 1953).
During the summer of 1954, I was much encouraged by a letter from
Dr. Bush (1954a) indicating that he was then in California, planning on
fulfilling his promise to visit the park and having made reservations to
stay here August 6 through 8.
The long-awaited August 6 finally arrived and, at length, word came
through from the South Entrance station to the effect that Dr. Bush had
come into the park. Although I was not on duty that particular day, I
was on hand to greet Dr. Bush. When he had not called at Park
Headquarters within a reasonable period of time following his entrance
into the park, I went to the Rim Village to inquire after him at the
lodge. He had, indeed, registered and was staying at one of the cabins.
A call at the cabin failed to produce any response. Evening arrived, and
Dr. Bush was still nowhere to be found. Visits to the lodge and the
Community House, just before the evening programs were to begin, also
failed to locate him. The naturalists presenting the programs were
encouraged to invite Dr. Bush to make himself known should he be
present, which they did, but without results. It was not until the next
morning, following a brief telephone conversation, that I was to meet
Dr. Bush in person.
As one might have come to suspect from the foregoing, Dr. Bush
proved to be a most pleasant and unassuming individual. He had brought
along Mrs. Bush and their son, Newell. Having come to the Park by way of
Fort Klamath, they had spent the night of August 5 in the same Fort
Klamath Hotel that had received them upon their first arrival at that
little town in early July, 1917.
Much of two very enjoyable and rewarding days were then spent in the
doctor's company. Dr. Bush reminisced along the rim, and elsewhere, over
his summer in the park and its experiences. We walked from the rim down
to Park Headquarters, following the passable portions of the mile or so
of road which was the main route of travel back in 1917. He pointed out,
to the best of his ability in view of the years gone by and the changed
scene, the locations of the various buildings of the Park Headquarters
area at that time.
Highlight of the entire period came when Dr. Bush returned, after 37
years, to his "Lady of the Woods." He was rather surprised, and pleased,
to see how well it had weathered the years. Pitting had marred the once
smoother surface of the figure, but otherwise it was much as he had
remembered it. I detected the merest hint of a feeling on his part that
the development of the nearby area had not added to the original
attractiveness of the spot and its aspect of remoteness. This, however,
passed quickly, and Dr. Bush seemed to enjoy this reunion very much. He
consented to being photographed with his "Lady of the Woods," and for
this we are most grateful. Several black-and-white pictures were taken
and added to the park's photographic collection, as were also a few 35
mm. color slides.
Dr. Earl Russell Bush with his Lady of the Woods 8 August 1954
Photo by C. Warren Fairbanks
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Dr. Bush spoke with much modesty in respect to his sculpturing and
indicated no illusions concerning its merits as a work of art. The "Lady
of the Woods" was his first effort at sculpturing, which simply makes it
the more remarkable. Following this beginning attempt in 1917, and after
becoming settled in Cincinnati, Dr. Bush's aroused interest resulted in
his taking up the study of sculpture under Clement I. Barnhorn.
According to Dr. Bush, Mr. Barnhorn knew about the "Lady of the Woods"
and praised it as amateur work, but he also exacted a promise from Dr.
Bush that he would never touch it in an attempt to carry further his
original idea. Mr. Barnhorn indicated to Dr. Bush that he had apparently
been "successful in putting something into a crude outline that
expressed what must have been a real inspiration. He says that the
inspiration is now gone and that it was the invariable experience when
artists attempted such a thing that they failed to carry out the real
and worthwhile theme." (Bush, 1930). It is no doubt well that such a
promise was made, even though today's regulations would not permit Dr.
Bush to continue the work should he wish to do so.
Of much greater importance than the sculpturing, especially to Dr.
Bush himself, are the responses which it has aroused in those who have
come to see it through the years -- by chance or otherwise. This is
obviously as Dr. Bush intended it, even from the time of his conception
of such a response to his own inspiration. A variety of emotions has
been expressed in the numerous articles which have been written by
persons who were impressed with the "Lady of the Woods." In addition,
several poems have been inspired by it; a few of these have appeared in
print (Lumen, 1937; Mills, 1943; Williams, 1954).
Dr. Bush and his family left the park on August 9. Before his
departure, he gave to the park a number of items of considerable
interest and value. These include several photographs of various members
of the 1917 staff, of scenes at Park Headquarters and about the rim, and
of activities in the area during that summer; a Crater Lake National
Park topographic map (Edition of Apr. 1911, reprinted Oct. 1913) which
he had used while working here; and a Crater Lake brochure prepared by
the Southern Pacific Company in 1917. We are most grateful to Dr. Bush
for these contributions to our historical collections.
Dr. Bush (1954b) wrote, after returning home, that, "The memories
aroused by the visit were both pleasant and vivid. Very likely I shall
not get there again."
Perhaps the coming years will be kind enough to prove Dr. Bush wrong
in respect to this last thought. But whether or not he is able to return
to this spot again is surely not of the greatest importance. The lasting
values of Dr. Bush's association with the park rest in the "Lady of the
Woods." The true essence of its significance, and the best expression of
the attitude with which it should be viewed, seem to me to be most
simply and clearly put in Dr. Bush's own words. Perhaps you will keep
them in mind when you come upon this symbol of the inspiration which one
man found within the wilderness:
"This statue represents my offering to the forest, my interpretation
of its awful stillness and repose, its beauty, fascination, and unseen
life. A deep love of this virgin wilderness has fastened itself upon me
and remains today. It seemed that I must leave something behind .... if
it arouses thought in those who see it, I shall be amply repaid. I shall
be satisfied to leave my feeble attempt at sculptural expression alone
and unmarked, for those who may happen to see it and who may find food
for thought along the lines it arouses in them individually. It would be
sacrilege to assign a title and decorate it with a brass plate."
(Monroe, 1922).
(Biographical note: Dr. Earl Russell Bush, born in 1886, received
his M. D. degree from the Indiana University School of Medicine in 1909.
He practiced medicine in Indianapolis, Indiana, for a few years prior to
World War I. After that war, during which he served as a member of the
Medical Corps, he reentered government service, becoming Regional
Medical Officer, U. S. Veterans' Bureau, Cincinnati, Ohio. In January,
1930, he became Associate Medical Director, Western and Southern Life
Insurance Company. Dr. Bush is now retired, making his home in Fort
Worth, Florida.).
References
Anonymous. 1919a (August 12). Mummy woman found in woods at Crater
Lake. Medford Mail Tribune, p. 6.
-----. 1919b (August 13). Ancient figure of woman discovered.
Oregon Journal, p. 8.
-----. 1921a (August 30). Sculptor is revealed. The
Oregonian, sec. 1, p. 9.
-----. 1921b (September 2). Mystery Crater Lake petrified lady
explained. Medford Mail Tribune, p. 5.
-----. 1921c (September 11). Statue stirs interest. The (Sunday)
Oregonian, sec. 1, p. 15.
-----. 1921d (?September). "The Lady of the Woods" mystery solved.
Clipping in Steel scrapbook collection from undetermined newspaper.
-----. 1924 (March 16). Stone woman of Crater Lake 'mystery' solved.
Eugene Register, Eugene, Oregon.
-----. Bush, Earl Russell. 1930 (July 10). Letter to Mr. Steel in
files of Crater Lake National Park.
-----. 1953 (August 24). Personal communication.
-----. 1954a (July 15). Personal communication.
-----. 1954b (October 31). Personal communication.
L(uman)., M. R. (Mrs. Ira Luman). 1937 (August 13).
Lady-of-the-Woods. Medford Mail Tribune, Medford, Oregon.
Mills, Jessie Gwendolyn. 1943 (February 4). In: Jones, Nellie Rose.
Carving in park is work of Dr. Bush, done in '17. Herald and
News, Klamath Falls, Oregon.
Monroe, Anne Shannon. 1921 (August 28). Statue of woman rules
solitary realm in woods. The (Sunday) Oregonian, sec. 4, p. 7.
-----. 1922. The Lady of the Woods. Oregon Out of Doors 1(2):
123-124.
Solinsky, E. C. 1930 (July 17). Letter to Dr. Bush in files of
Crater Lake National Park.
Steel, William Gladstone. 1925. Lady of the Woods. Steel Points
Junior 1(1): 1-3.
Williams, Jessie E. 1954 (July 10). Statue of a weeping woman.
Tacoma News Tribune, Tacoma, Washington.
Willson, Robert H. 1923 (October 7). Mysterious stone woman of
Crater Lake. San Francisco Examiner.
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