MEANINGFUL INTERPRETATION
How To Connect Hearts And Minds To Places, Objects, And Other Resources
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INTERPRET
"1. TO CLARIFY THE MEANING OF: ELUCIDATE:
2. TO EXPOUND THE SIGNIFICANCE OF.
3. TO REPRESENT THE MEANING OF THROUGH ART.
4. TO TRANSLATE."
American Heritage Dictionary
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FACILITATES A CONNECTION
Journal Questions:
How do you want your audiences to feel after your programs?
(It might help to think about a specific program.)
"TO BE SUCCESSFUL ONE HAS TO LIVE WITH BELIEFS AS MUCH AS FACTS."
William Markiewicz
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How do you want your audiences to feel after your programs?
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"A sense of enjoyment, that it was time well spent."
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"I want them to feel that the culture of south Louisiana is
special and appreciate how the diversity of people and
natural environment has shaped and made this possible."
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"Like they have experienced something new, valuable, enjoyable,
and worthwhile."
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"Unsettled, and questioning their perceptions of history. I
want them to be aware of more than one perspective on a past incident."
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"Proud we've protected and saved the peregrine falcon."
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"Enlightened, inspired, well-fed, but not stuffed."
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"Energized in spirit. Delighted. Mentally and emotionally refreshed."
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"Inspired and proud of the people who went through a difficult
situation for what they believed in. To feel that the effort of the
individuals in this event was worth the sacrifice and hardship."
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"Hopeful, and empowered to change or to see other perspectives."
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"I want them to feel they're in a special place. I hope they feel a
sense of stewardship."
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"Amazed. Startled, like they've just had a revelation they thought
of themselves."
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"Inspired. Wow look what they did with so few tools."
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"Enriched and possessing a secret that wants to be shared."
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"I want to forget the program and remember the meanings of the
resource."
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Journal Questions:
What should audiences think after one of your programs?
"THERE ARE NO FACTS ONLY INTERPRETATIONS."
Friedrich Nietzche
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What should audiences think after one of your programs?
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"I'd like them to think like themselves with a twist."
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"I feel successful if I can make them think in any way that is
new to them or beyond what they thought before the program."
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"Perhaps question why they think the way they do."
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"As a member or participant in the story."
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"Culturally tolerant."
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"That they are in charge, that their opinions and experiences
count, that they are faced with choices (to not take action, take
action, options)."
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"This is important. This is meaningful. I want to bring
my friends here."
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"I want them to think along the lines of what they can do
to help the resource."
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"This is relevant to me."
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"I want them to look at their lives in a different way and
begin to realized all that was changed over time. Has it all
been good? Would they change anything?"
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"As stewards, not just users."
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"I want them to think they have an effect on society."
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"This place is cool. Learning can be fun. Rangers are neat."
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"I want them to think like old-fashioned naturalists: observe,
consider, be delighted."
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"Great things can be experienced here."
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"Wow that was really interesting. Where can I learn more?"
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Journal Questions:
Do you try to persuade audiences to value the resource the way you do?
"INFORMATION, AS SUCH, IS NOT INTERPRETATION. INTERPRETATION IS
REVELATION BASED UPON INFORMATION. BUT THEY ARE ENTIRELY DIFFERENT
THINGS. HOWEVER, ALL INTERPRETATION INCLUDES INFORMATION."
Freeman Tilden
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Do you try to persuade audiences to value the resource the way you do?
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"I hope my passion leads them to a greater appreciation or
provokes curiosity. But the audience can only value the resource
in their own way."
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"Persuasion in its truest form is the job of politicians and
marketers. We should only persuade people to engage, think,
decide, choose, and act."
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"The job of interpretation is to reveal meaning, not dictate
thought."
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"Value the resource Yes, not necessarily the way I do.
Its value must come from what it means to the visitor not
to me. I've seen interpreters try to make visitors mirrors of
themselves but that's wrong."
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"It's not a monologue. It's a dialogue that we share. I
have persuaded without realizing it. I just had an objective
and pushed it."
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"Interpretation shouldn't insist on only one point of view,
but explore more ways of seeing things. Some interpreters have
tried to persuade and it has worked sometimes."
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"Sort of. We have a mission and that effects our interpretation."
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"In a way, yes. But I realize that persuasion is not a polemic
and that the audience may not value the resource for the same reasons
I do."
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"I don't think it's my job to persuade, but I do want to provoke
visitors to consider the choices they have. If my logic is sound,
they may choose as I have."
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"For a lasting impression they need their own connection, not mine."
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"Persuading suggests that you have the right answer which is not
as respectful as understanding, valuing and validating the range of
perspectives people hold."
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"The visitor didn't come to be forced to believe anything. They
came because they wanted to somehow connect with the site."
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"I only hope to persuade the audience to value the resource,
in whatever way."
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TENET 3
INTERPRETATION FACILITATES A CONNECTION BETWEEN THE MEANINGS OF THE
RESOURCE AND THE INTERESTS OF THE VISITOR |
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Journal Questions:
What is the difference between an
opportunity for a connection and a connection?
"OUR HERITAGE AND IDEALS, OUR
CODES AND STANDARDS THE THINGS WE LIVE BY AND TEACH OUR CHILDREN
ARE PRESERVED OR DIMINISHED BY HOW FREELY WE EXCHANGE IDEAS AND
FEELINGS."
Walt Disney
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"THE INTERPRETIVE PRESENTATION IS SUCCESSFUL AS A CATALYST IN CREATING
AN OPPORTUNITY FOR THE AUDIENCE TO FORM THEIR OWN INTELLECTUAL AND
EMOTIONAL CONNECTIONS WITH THE MEANINGS/SIGNIFICANCE INHERENT IN THE
RESOURCE..."
National Park Service Interpretive Development Program. Stem
Statement One, Core Interpretive Rubric
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Think of connections in two ways. Interpreters
present opportunities for connections to resource meanings. Audiences
make personal connections to resource meanings by adding to, subtracting
from, and transforming opportunities for connections. Opportunities
should lead to connections, but they are distinct entities.
"INTERPRETATION IS A COMMUNICATION PROCESS THAT FORGES EMOTIONAL AND
INTELLECTUAL CONNECTIONS BETWEEN THE INTERESTS OF THE AUDIENCE AND THE
INHERENT MEANINGS IN THE RESOURCE."
National Association For Interpretation, Definition Of
Interpretation
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Opportunities for Emotional and Intellectual
Connections to the Meanings of the Resource
Visitors filter and respond to opportunities for
connections through subjective beliefs, backgrounds, and circumstances.
Successful interpretive products intentionally present both intellectual
and emotional opportunities to provoke people who connect differently
with resource meanings.
The Oxford English Dictionary (1989)
Emotional "Connected with, based upon, or appealing to the feelings or
passions."
Intellectual "Of or belonging to the intellect
or understanding."
Audience Connections to the Meanings of the
Resource
The Oxford English Dictionary (1989) defines
connection as "the condition of being related to something else by a
bond of interdependence, causality, logical sequence, coherence or the
like; relation between things one of which is bound up with, or involved
in, another."
People who make personal connections to the resource
experience a change in their emotions, intellect, or both. When an
interpretive experience successfully facilitates personal connections to
resource meanings the audience forms a personal bond with the resource,
its meanings act upon them and they value the resource more.
Implications of TENET 3
MEANINGS ARE MORE IMPORTANT THAN INFORMATION |
Successful interpreters use accurate and comprehensive
information but convey more than facts. If information and learning were
the primary goal of most visitors, they would never need to visit. Audiences
want something more. They seek meaningful experiences.
Some interpreters feel obligated to provide audiences
with specific information. Many sites have strong traditions, "This is
what we're supposed to say." It's more effective to challenge habit and
ask "What will be meaningful to audiences in the time they have to spend?"
Society often measures success by the amount of information
an individual absorbs, so it's natural to feel the audience needs the whole
story. But if the audience needs the whole story there is a problem. All
the details and bits of information can overwhelm and few people retain
information they don't care about.
An oft-told joke illustrates: Asking an interpreter
a question is like drinking from a fire-hose.
All that volume and power inflicts interpretation on
visitors, good-tempered and otherwise, and prevents them from making
their own connections to the meanings of the resource.
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Journal Questions:
How do you react when a visitor asks, "I've only got half an hour, what
should I see?"
What is your answer if they only have two hours? Be specific about your
resource.
What is your answer if they have two days? Again, be specific.
Behind the Question
It's easy to get frustrated when visitors ask what to
see, especially if they only have a short time. It's hard to know their
interests and it's insulting to think the resource can be appreciated so
quickly. Interpreters invest a lot of work and care and know that the
resource deserves quality time and attention.
There's more to their question, however. The visitor
who makes this inquiry is actually offering a moment of their lives and
trusting the interpreter to guide them to a meaningful experience. They
may seem awkward and demanding, but they want to connect. The challenge
is to quickly discover what experience will be meaningful.
It's easy to ask, "What interests you?," but likely
the visitor won't know enough to give a meaningful reply. Prepare a full
menu of responses responses that suggest an experience for the
period requested and that evoke feedback from the visitor. At a history
site the response might start, "Well, historians usually agree the most
significant spot is..." Natural history interpreters might refer to the
most beautiful or rare. The skill is to watch for the visitor's
reaction. Did they ask a follow-up question? If not, be ready with an
alternative. "Do you have children? Do they need some fun?" If the
answer is yes, be able to provide the appropriate experience.
There are a multitude of possibilities. The more
thinking and planning such responses receive, the more visitors will
connect to the resource.
EXERCISE |
Think again about audience motives. Create a series
of specific questions and statements for different visitor encounters
the reception desk, auditorium, exhibits, and gathering points
or in response to often-asked questions or comments. Craft these
with the intent of provoking the audience about the resource. Choose
words carefully. Provide an opportunity for a connection to meaning in a
sentence or two or maybe with a question.
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What does the resource mean to audiences?
Have you ever asked an audience:
What do you know about this place?
Why did you visit?
What are you interested in?
"What would you like your children to take from their
experience here?
What does this place, event, feature, artifact mean to
you?
The answers received can help provide opportunities for emotional
and intellectual connections to resource meanings that are relevant to
the audience's interests.
VISITOR AT A WAYSIDE EXHIBIT: NATIONAL PARK SERVICE HISTORIC
PHOTOGRAPH COLLECTION
"LIFE IS A SERIES OF LEAPING SPARKS. ALL THE REST IS INTERPRETATION."
Loren Eiseley
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Implication of TENET 3
Interpreters must channel their own understandings, enthusiasm, passion,
and love for the resource so their audiences can form their own understandings,
enthusiasm, passion, and love for the resource. |
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Journal Questions:
What responsibility does the word facilitate imply for interpreters?
FACILITATE "TO FREE FROM DIFFICULTIES OR OBSTACLES;
MAKE EASIER; AID; ASSIST."
American Heritage Dictionary
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What responsibility does the word facilitate imply for interpreters?
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"We provide choices."
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"Interpretation reveals meanings without dictating thought. Facilitation
allows for an exchange of ideas and feelings."
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"Interpreters provide access to meanings. We are the vehicle rather
than the message."
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"Don't get in the way."
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"Interpreters have to know the meanings of the resource and
about the audience."
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"I have to overcome my biases to help others make their
own connections."
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"Interpreters must respect the fine line between persuading
and presenting multiple points of view."
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"A TEACHER WHO MAKES HIMSELF PROGRESSIVELY UNNECESSARY."
Thomas Caruthers
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FLOYD PLATEAU: NATIONAL PARK SERVICE
HISTORIC PHOTOGRAPH COLLECTION
"IF FACTS ARE THE SEEDS THAT LATER PRODUCE KNOWLEDGE AND WISDOM,
THEN THE EMOTIONS AND THE IMPRESSIONS OF THE SENSES ARE THE FERTILE
SOIL IN WHICH THE SEEDS MUST GROW...ONCE THE EMOTIONS HAVE BEEN
AROUSED A SENSE OF THE BEAUTIFUL, THE EXCITEMENT OF THE NEW
AND THE UNKNOWN, A FEELING OF SYMPATHY, PITY, ADMIRATION, OR LOVE
THEN WE WISH FOR KNOWLEDGE ABOUT THE OBJECT OF OUR EMOTIONAL
RESPONSE. ONCE FOUND, IT HAS LASTING MEANING."
Rachel Carson
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One of the best ways to provoke passion for the
resource is by linking multiple resource meanings to multiple audience
points of view. This allows for:
Greater relevance. More of the audience is able to find elements
of interest and value in the resource.
Greater provocation. More meanings and perspectives allow for
more "I never thought of that before!" moments.
An environment of respect. An environment that promotes
opportunities for listening and dialogue.
Journal Questions:
What put you on the road to becoming an outreach professional? What
influenced you to become an interpreter? List and describe catalysts
that contributed to your attitudes or stewardship. Catalysts can be
people, books, events, courses, places, trips, organizations, etc.
Would you have the same passion for the resource now without the
experiences and influences you described?
Have you ever tried to give visitors a shortcut to passion for the
resource by sharing your own significant and meaningful experiences?
If so, describe the moment. To what degree did your experiences help
them make personal connections?
EXERCISE |
Consider one of your programs or one of a colleague. Be specific. How
and where does the program provide opportunities for emotional
connections? How and where does the program provide opportunities for
intellectual connections? What resource meanings do the opportunities
for connections address?
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"WE ARE DEALING WITH THE INEFFABLE HERE WE'RE OUT THERE SOMEWHERE
BETWEEN THE KNOWN AND THE UNKNOWN, TRYING TO REEL IN BOTH FOR A CLOSER
LOOK."
Anne Lamott
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meaningful_interpretation/mi6e.htm
Last Updated: 29-May-2008
Meaningful Interpretation
©2003, Eastern National
All rights reserved by Eastern National. Material from this
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