In the preceding pages have been described the major antiquities, such as walls and those permanent objects which could not be removed from the places where they were constructed without more or less harm. There remain to be considered the minor antiquities, or the smaller objects which are movable and of a more perishable nature, especially if left in the places where they were found. It was mainly in search of such objects that much of the mutilation of Cliff Palace was done.

It was not expected that excavations would yield any considerable number of specimens, since for years Cliff Palace had been dug over in search of them, and many hundreds of objects had already been found and carried away to be sold either to museums or to individuals. Notwithstanding these unfavorable conditions, the collection of objects, now deposited in the National Museum, is sufficient to afford some idea of the culture of the Cliff Palace people.

Among the objects that may be mentioned in the category of minor antiquities are pottery, basketry, implements of stone, bone, and wood, fabrics of various kinds, ornaments, fetishes, and the like—all those objects commonly called artifacts that make up collections from cliff-dwellings generally.

The excavations at Cliff Palace have revealed no specimens strikingly different from those already described as from Spruce-tree House. We would expect some variation in the symbols on pottery from the two ruins, but the differences are not conspicuous in the few specimens that have been compared. Nor is there any peculiarity in the form of the pottery, as the ceramic objects from Cliff Palace practically duplicate those from Spruce-tree House, already described, and probably are not much unlike those still buried in Long House, Balcony House, and the House with the Square Tower.

As many ceremonial objects, being highly prized, may have been removed from Cliff Palace when the place was deserted by its inhabitants the few that remained present scant material from which to add to our knowledge of the ceremonial life of the people. The existence of so many kivas would point to many rites, although a large number of sacred rooms does not necessarily indicate more complex or elaborate rites than a smaller number; multiplicity of kivas does not necessarily mean multiplicity of ceremonies, nor few kivas a limited ritual. In no pueblo are there more complicated ceremonies than at Walpi, where there are only five of these sacred rooms; but it must be remembered that many of the religious rites of Walpi are performed in kihus, or secular rooms. The same may have been true of Cliff Palace.

The writer's belief is that in historic times, by which is meant since the advent of missionaries, altars have become more elaborate and rites more complex at Walpi than in prehistoric times, and that through the same influence the use of images or idols has also increased. This increase in the complexity of rites may be traced to the amalgamation of clans or to a substitution of the fraternities of priesthoods for simple clan ancestor worship. The elaborate character of ceremonial paraphernalia may likewise be due to acculturation,a which increases in complication with the lapse of time.

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aFor instance, the complicated reredos of many of the modern Hopi altars is made of flat wooden slabs, the manufacture of which would be very difficult for a people ignorant of iron. These probably replaced painted stone slabs of simpler character, examples of which have been found in ruins and indeed still survive in some of the oldest rites.

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The stone implements from Cliff Palace consist of axes, mauls, paint grinders, pecking stones, metates, balls, flakes, spear and arrow points, and various other articles (pls. 20-22). There is great uniformity in these implements, the axes, for instance, being generally single edged, although a good specimen of double-edged hatchet is in the collection. A fragment of the peculiar stone implement called tcamahiab by the Hopi was found.

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bThis object probably came from near Tokónabi, the ancient home of the Snake people of Walpi, on San Juan river. Fourteen of these tcamahias form part of the Antelope altar in the Snake dance at Walpi.

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While as a rule the hatchets are without handles, one specimen (pl. 20) is exceptional in this particular. The handle of this hatchet from Cliff Palace, like that from Spruce-tree House, elsewhere described, is a stick bent in a loop around the stone head.

Plate 20. AX WITH ORIGINAL HANDLE

Plate 21. STONE HATCHETS

POUNDING STONES

Anyone who will examine the amount of stone-cutting necessary to lower the floor of kiva V, for instance, to its present depth, or to peck away the projecting rock in some of the other kivas, will realize at once that the Cliff Palace people were industrious stone workers. A number of the pounding stones (pl. 22, a) with which this work was done have been found. These stones are cubical in form, or rounded or pointed at one end or both ends, and provided with two or more pits on the sides. They were evidently held directly in the hand and used without handles. Although generally small, they sometimes are of considerable size. The stone of which they are made is foreign to the vicinity; it is hard, as would be absolutely necessary to be effectual in the use to which they were put.

Plate 22. STONE OBJECTS (aPounding stone (top), bProjectile point, cCover for vase, dFlat stone slab (bottom, left to right))

GRINDING STONES

The most common variety of grinding stones is, of course, the metate, or mill-stone, used in grinding corn. These implements have a variety of forms. They may be flat above and rounded below, or flat on both sides, triangular on each face, or simply convex on each side. None of them have feet like the Mexican metates. The stone with which the grinding was done, or the one held in the hand, also varies in shape, size, and evidences of use.a Stones with a depression in one face served as mortars. A stone in the form of a pestle, flat on the end, served as a paint grinder. Several flat stones with smooth surface, showing the effect of grinding, and others with slight concavities, undoubtedly served the same purpose. Smooth stones showing grinding on one or more faces were evidently the implements with which the builders smoothed the walls of the houses after the masonry had been laid; others were used in polishing pottery.

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aAt several places on the surfaces of projecting rocks forming the foundations of buildings may be noticed grooves where metates were sharpened. One or more of these occur at the entrance to the "street" in front of room 51. The foundation of a wall in one room was built directly upon one of these grooves, part of the groove being in sight, the rest covered with masonry. Near room 92 there are many of these grooves as well as small pits.

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MISCELLANEOUS STONES

Many stone balls, large or small, were found. Some of these show chipping, others are ground smooth. Certain of these balls were evidently used in a game popular at Cliff Palace, in which they were rolled or dropped into deep pits and grooves. It appears that this game was played by occupants of the sacred rooms, as the pits are common in the kiva floors. Other stone balls were formerly tied to the end of a handle with a thong of hide and used as a weapon.

A half oval stone, smooth and flat at one pole, is supposed to have been an idol, possibly the earth goddess, who is repeatedly represented by the Hopi in a similar way. It was left near where it was found at the northwest corner of kiva H. Our masons used rectangular slabs of soft stone, which were doubtless door-closes, as mortar boards. They were held in place in the door opening by jambs made of mortar laid on sticks, and by a horizontal rod which passed between two osier eyelets set in the uprights of the door-frame and projecting from it. These stone doors were sometimes held in place by a groove cut in the threshold or by a ledge of adobe.

Two thin, flat, circular stone disks (pl. 22, c), with smooth surfaces and square edges, accompanied the calcined human bones in the inclosure at the northern end of the large refuse heap. It is probable that some of these disks were used as covers for mortuary vases. Irregularly shaped flat stones with pits and incised figures pecked in their surface were used in a game, and a slab covered with incised figures but without the pits (pl. 23, c) probably served a similar purpose.

Several large stones, which the builders of Cliff Palace had begun to dress and had later rejected, show the method adopted by them in cutting stones the required size. When stones were found to be too large to be laid, or had projections that interfered with the required shape, a groove was pecked where the fracture was desired and the stone broken along the groove.

No ruin in the Mesa Verde National Park has yielded more specimens of pottery than Cliff Palace, many pieces of which are preserved in various museums in Colorado and elsewhere. The collection gathered by the writer was small compared with some of these, and although only a few whole pieces were found, by restoration from fragments a fair number of specimens, ample perhaps for generalization, were procured. In the following mention of the pottery obtained from the ruin a very comprehensive idea of the perfection in the ceramic art attained in Cliff Palace can hardly be hoped.

Southwestern pottery may be divided into two types, so far as superficial appearance goes; (1) coiled or indented undecorated ware; (2) smooth polished ware. Of the latter there are two subtypes; (a) pottery with a surface slip, generally white, on which designs are painted, and (b) decorated pottery without a superficial slip, and generally reddish in color. Cliff Palace pottery, when decorated, belongs to the last two divisions, but some of the best made specimens belong to the coiled or indented type. Although there are several fragments of red pottery ornamented with designs painted in black, and one or two specimens in which the basal color is orange, the majority of the specimens belong to the so-called black-and-white ware, which may therefore be called a type of this region.

The whole pieces of pottery collected were chiefly mortuary vessels, and probably contained food offerings, indicating, like the sipapus in the kivas, that the cliff-dwellers had a distinct conception of a future life. In addition to the limited number of pieces of unbroken pottery, many of the fragments were decorated with novel patterns. Fragments of corrugated and indented ware are by far the most numerous, but although many of these were obtained, not a whole piece was found, with the exception of a single specimen plastered in a fire-hole and three others similarly fixed in the banquettes of kivas. These were left as they were found.

The same forms of pottery, as dippers, ladles, vases, canteens, jars, and similar objects, occur at Cliff Palace as at Spruce-tree House (pl. 23-27). All varieties were repeatedly found, some with old cracks that had been mended, and one is still tied with the yucca cord with which it had been repaired. It is evident from the frequency with which the Cliff Palace people mended their old pottery that they prized the old vessels and were very careful to preserve them, being loth to abandon even a cracked jar (pl. 23, d). None of the Cliff Palace pottery is glazed.a Some specimens of smooth pottery are coarse in texture and without decoration; others have elaborate geometrical figures; but animate objects are confined almost entirely to a few pictures of birds or other animals and rudely drawn human figures. The pictography of the pottery affords scant data bearing on the interpretation of the ancient symbolism of the inhabitants, as compared with that of Sikyatki, for example, in the Hopi country.

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aThe first description of "glazed" pottery in the Pueblo region is given by Castañeda (1540), who says: "Throughout this province [Tiguex] are found glazed pottery and vessels truly remarkable both in shape and execution." This has sometimes been interpreted to mean the glossy but unglazed pottery of Santa Clara. Glazed pottery was found by the writer in 1896 in ruins on the Little Colorado. It appears to be intrusive in the Arizona ruins.

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Plate 23. VARIOUS OBJECTS FROM CLIFF PALACE (aPottery fragment with bird-claw decoration in relief (top), b, dFood bowls, cIncised stone (middle, left to right), eDecorated fragment of earthware, fCover for vase (bottom, left to right))

Food bowls.—In form the food bowlsb from Cliff Palace (pls. 23-25) are the same as those from other prehistoric sites of the Southwest, but as a rule the Cliff Palace bowls are smaller than those of Sikyatki and the ruins on the Little Colorado. They have, as a rule, a thicker lip, which is square across instead of tapering to a thin edge or flaring, as is sometimes the case elsewhere. The surface, inside and out, is commonly very smooth, even glossy. The pottery was built up by coiling the clay, and the colors were made permanent by the firing.

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bFood bowls with handles, so common to the ruins of northern Arizona, were not found at Cliff Palace.

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The basis of the study of symbolism was of course the pottery decoration. As a rule the center of the inside of the food bowls is plain, but several have this portion ornamented with squares, triangles, and other figures. The outside of several bowls from Cliff Palace and Spruce-tree House is decorated, notwithstanding Nordenskiöld speaks of exterior decoration as rare in his collections from the Mesa Verde. The geometric ornaments consist of rectangular figures.a

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aNo curved lines are present in the many examples of decoration on the outside of food bowls from Sikyatki.

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Plate 24. FOOD BOWLS

Mugs.—Some authors have questioned whether the prehistoric people of the Southwest were familiar with this form of pottery. The collections from Cliff Palace (pl. 24-26) and Spruce-tree House set at rest any reasonable doubt on this point. There are, however, peculiarities in the form of mugs from Mesa Verde. The diameter of the base is generally larger, tapering gently toward the mouth, and one end of the handle is rarely affixed to the rim. The inside of the mug is not usually decorated, but the exterior bears geometrical designs in which terraces, triangles, and parallel lines predominate. Curved lines are rare, and spirals are absent. Mugs with two handles are unrepresented. There are no ladles in the collection, but several broken handles of ladles were found in the refuse. One of these is decorated with a series of parallel, longitudinal, and transverse lines, a design as widely spread as Pueblo pottery, extending across the boundary into Mexico.

Globular Vessels.—The globular form of pottery was used for carrying water and seems to have been common at Cliff Palace. One of these vessels (pl. 25, b) has a small neck, and attached to it are two eyelets for insertion of the thong by which it was carried. Some of the globular vessels (pl. 25, a) have the neck small, the orifice wide, and the lip perforated with holes for strings. Double-lipped globular vessels, having a groove like that of a teapot, have been found in Cliff Palace as well as in other ruins of Mesa Verde and Montezuma canyon. The rims of these are generally perforated, as if for the insertion of thongs to facilitate carrying. The bottoms of these vessels are rarely concave. They are sometimes decorated on the outside, but never on the interior.

Plate 25. VASES AND FOOD BOWLS

Vases.—Small vases with contracted neck and lip slightly curved, and larger vases with the same characters, occur sparingly. These (pls. 26, 27, b) are decorated on the exterior in geometrical designs; the interior is plain. The bases are rounded, sometimes flat, and in rare instances concave.

Plate 26. POTTERY (a mugs from crematory (top); b dipper-bowl and corrugated vase (bottom))

Plate 27. PITCH BALLS AND VASE

Disks.—Among pottery objects should be mentioned certain disks, some large, others small, some perforated in the middle, others imperforate. Several are decorated. These disks served as covers for bowls, and similar disks were employed as counters in games or as spindle whorls. None of the clay disks from Cliff Palace has a central knob or handle like those from Spruce-tree House.

RELATIONS AS DETERMINED BY POTTERY

In the report on Spruce-tree House, using pottery as a basis, the prehistoric culture of the Southwest, including the Gila-Salt area, which can not strictly be designated Pueblo, has been provisionally divided into several subcultural areas. Among these are the Hopi, a specialized modification of the Little Colorado, the Little Colorado proper, the San Juan, and the Gila-Salt areas.

Cliff Palace pottery symbols are not closely related to those on old Hopi ware, as typified by the collections from Sikyatki.a Neither Cliff Palace nor Spruce-tree House pottery is closely allied to that of the Little Colorado, as exemplified, by Homolobi ware, but both have a closer likeness to that from Wukoki, a settlement ascribed to the Snake clans, situated near Black Falls, not far from Flagstaff, Arizona. As a rule the symbolism on pottery from the Little Colorado, which includes that of its upper tributaries, as the Zuñi, Puerco, Leroux, and Cottonwood washes, is a mixture of all types. This river valley has exerted a distributing influence in Pueblo migrations, and in its ruins are found symbols characteristic of many clans, some of which, following up the tributaries of the Salt and the Gila, have brought Casas Grandes decorative elements; others, with sources in the northeast, have contributed designs from an opposite direction. The predominating directions of ceramic culture migration in this valley have been from south to north and from west to east.b

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aSikyatki ware is more closely related to that of the ancient Jemez and Pajarito subarea than to that made by the Snake clans when they lived at Tokónabi, their old home, or at Black Falls shortly before they arrived at Walpi. Careful study of ancient Walpi pottery made by the Bear clan before the arrival of the Snake clans shows great similarity to Sikyatki pottery, and the same holds regarding the ware from old Shongopovi.

bIn the ruins found on the banks of the Little Colorado at Black Falls, the predominating influence, as shown by pottery symbols, has been from the north. It is known from legends that Wukoki was settled by clans from the north, the close likeness to the symbols of the San Juan valley supporting traditions still current at Walpi.

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The relation of Cliff Palace pottery designs to the symbolism or decorative motives characteristic of the Gila valley ruins is remote. Several geometrical patterns are common to all areas of the Southwest, but specialized features characterize each of these areas. The pottery from Cliff Palace finds its nearest relation throughout the upper San Juan region; the most distant to that of ruins in northern Arizona near Colorado Grande.c

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cA thorough comparative study of Pueblo pottery symbolism is much restricted on account of lack of material from all ceramic culture areas of the Southwest. It is likewise made difficult by a mixture of types produced by the migration of clans from one area to another. The subject is capable of scientific treatment, but at present is most difficult of analysis.

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SYMBOLS ON POTTERY

The symbols on the Cliff Palace pottery are reducible to rectangular geometrical figures; life forms, with the rare exceptions noted above, are not represented, and the exceptional examples are crude. Contrast this condition with the pottery from Sikyatki, where three fourths of the decorations are life designs, as figures of men or animals, many of which are highly symbolic. The "sky band" with hanging bird design, peculiar to old Hopi ware, was unknown to Cliff Palace potters. Encircling lines are unbroken, no specimen being found with the break so common to the pottery from the Hopi, Little Colorado, Gila, and Jemez subareas. The designs on food bowls are often accompanied with marginal dots. No example of the conventionalized "breath-feather" so common in Sikyatki pottery decoration occurs. Spattering with color was not practiced.

An analysis of the pottery decorations shows that the dominant forms may be reduced to a few types, of which the terrace, the spiral, the triangle, and the cross in its various forms are the most common.

Various forms and sizes of triangles, singly or in combination, constitute one of the most constant devices used by the cliff-dwellers of the Mesa Verde in the decoration of their pottery. It is common to find two series of triangles arranged on parallel lines. When the component triangles are right-angled they sometimes alternate with each other, forming a zigzag which may be sinistral or dextral. This design may be called an alternate right-angular figure.

If instead of two parallel series of right-angle triangles there are isosceles triangles, they may be known as alternate isosceles triangles. These triangles, when opposite, form a series of hour-glass figures or squares. This form is commonly accompanied by a row of dots, affixed to top and base, known as the dotted square or hour-glass figure. Hour-glass designs are commonly represented upright, but the angles of the triangles may be so placed that the series is horizontal, forming a continuous chain. Often the bases of these serially arrayed hour-glass figures are separated by rows of dots or by blank spaces.

A row of triangles, each so placed that the angles touch the middles of the sides of others in the same series, form an arc called linear triangles. The St. Andrews cross, which occurs sparingly on Mesa Verde pottery, is formed by joining the vertical angles of four isosceles triangles.

The cross and the various forms of the familiar swastika also occur on Cliff Palace pottery. The star symbol, made up of four squares so arranged as to leave a space in the middle, is yet to be found in Mesa Verde. Parallel curved lines, crooked at the end or combined with triangles and squares, occur commonly in the pottery decoration of Cliff Palace. S-shaped figures are known. Rectangles or triangles with dots, or even a line of dots alone, are not rare in the decoration. No designs representing leaves or flowers occur on pottery from Cliff Palace, nor has the spider-web pattern been found. The most common geometrical decorations are the stepped or terraced figures, generally called rain-clouds.

POTTERY RESTS

Among the objects found in the refuse heaps of Cliff Palace are rings about 6 inches in diameter, woven of corn husks or cedar bark bound together with fiber of yucca or other plants. These rings (pl. 28) were evidently used as supports for earthenware vases, the bases of which are generally rounded, so that otherwise they would not stand upright. Similar rings may have been used by the women in carrying jars of water on their heads,a as among the Zuñi of to-day. Some of these rings may have been used in what is called the "ring and dart" game, which is often ceremonial in nature. The best made of all these objects, found by Mr. Fuller on his visit to a neighboring canyon, is shown in the accompanying illustration (pl. 28, b). The specimen is made of tightly woven corn husks, around which the fiber is gathered so as to form an equatorial ridge rarely present in these objects.

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aThe Hopi use large clay canteens for this purpose, no vessels resembling which, whole or in fragments, have been found at Cliff Palace.

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A few instructive specimens of basketry or wicker ware were exhumed at Cliff Palace. One of the most interesting of these is the unfinished plaque shown in the accompanying figure 2.

FIG. 2.—Coil of basket plaque.

One specimen of basketry (pl. 29) has the form of a hopper; its whole central part was purposely omitted, but the basket is finished on the inner and outer margins. It recalls a basket used by the Ute and other Shoshonean Indians, but it is different in form from any figured in Nordenskiöld's work, and, so far as the author is acquainted with other specimens of basketry from Mesa Verde ruins, is unique. It is supposed that when used this hopper was placed on a flat or rounded stone and that corn or other seeds to be pounded were placed in it, the stone thus forming the surface upon which the seeds were treated, and the sides of the basket serving to retain the meal.

Plate 29. BASKET HOPPER—SIDE AND BOTTOM VIEWS

The sandals found at Cliff Palace (pls. 30-32) are practically the same in form, material, and weave as those recorded from Spruce-tree House. The shape of these, however, is particularly instructive, as it appears to shed light on the meaning of certain flat stones, rare in cliff-dwellings, called "sandal lasts." These stones, one of which is figured in the report on Spruce-tree House, are rectangular, flat, thin, smooth, with rounded corners, and sometimes have a notch in the rim at one end. The exceptionally formed sandal from Cliff Palace (pl. 32) is similar in shape and has a notch identical with that of the problematical stone objects, supporting the theory that the latter were used as sandal lasts, as interpreted by several authors.

The sandals are ordinarily made of plaited yucca leaves, their upper side being sometimes covered with corn leaves for protection of the feet. The thongs that passed between the toes are made either of yucca or other vegetable fiber, or of hide.

Plate 30. SANDALS

Plate 31. SANDALS

Plate 32. SANDALS

There are several objects made of wood in the collection from Cliff Palace. some of the least problematical of which are long, pointed rods (fig. 3) with which the ancients probably made the holes in which they planted corn, in much the same way as the Hopi plant at the present day. These implements are commonly pointed at the end, but one, or two are broadened and flattened. No example of the spatular variety of dibble found by others, and none showing the point of attachment of a flat stone blade, occurs in the collection. One or two short broken sticks, having a knob cut on the unbroken end, are interpreted as handles of weapons—a use that is not definitely proven. There are several sticks that evidently were used for barring windows or for holding stone door-closes in place.

Among problematical wooden objects may be mentioned billets (pl. 33), flattened on one side and rounded at each end. Two of these were found, with calcined human bones, in the inclosure used for cremation of the dead, situated at the northern end of the large refuse heap. These, like the bowls with which they were associated, were coated with a white salt-like deposit. None of the many wooden objects figured by Nordenskiöld are exactly the same as those above mentioned, although the one shown in his plate XLIII, figure 17, is very close in form and size.

Plate 33. WOODEN OBJECTS (a billet (left); b objects used in game (middle); c billet (right))

Several bent twigs or loops of flexible wood from the refuse heaps were found; these are supposed to have been inserted in the masonry, one on each side of door and window openings, to hold in place the stick which served as a bolt for fastening the door or window stone in position.

Bent sticks, of dumb-bell shape, having a knob at each end (pl. 33, b), are believed to have been used in games. A similar object from the Mancos region is figured by Mr. Stewart Culin in his account of the games of the cliff-dwellers.a The ancient people of the semi-deserts of Atacama, in South America, employed a similar but larger stick, to which cords were attached for strapping bundles on their beasts of burden.

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aTwenty-fourth Annual Report of the Bureau of American Ethnology.

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FIG 3. —Planting sticks

A small pointed stone attached with fiber to the end of a stick, similar to those found by Nordenskiöld in ruin 9 and at Long House, was found.

The Cliff Pahace people kindled fire by means of the fire-drill and fire-stick (hearth), a specimen of which, similar to one collected at Spruce-tree House, is contained in the collection. Both of these fire-making implements were broken when found, apparently thrown away on that account either by the original people or by subsequent visitors.

Many bone implements (pl. 34, 35) were found during the excavation of Cliff Palace. They are of the bones of birds and small mammals, or, now and then, of those of antelope or bear, the latter furnishing the best material for large scrapers. These implements were evidently sharpened by rubbing on the stones of walls or on the face of the cliff, as grooves, apparently made in this way, are there visible in several places. Scratches made in shaping or sharpening bones, repeatedly found on the masonry of Cliff Palace, are not peculiar, resembling those referred to in the report on Spruce-tree House. A small tube with a hole midway of its length doubtless served as a whistle, similar instruments being still often used in Hopi ceremonies to imitate the calls of birds.

Plate 34. BONE IMPLEMENTS

Sections of bones were found tied in pairs, and while it is not clear that these were threaded on a cord and worn as necklaces or armlets, as Nordenskiöld suggests, they may have been tied side by side, forming a kind of breastplate not unlike that used by the Plains tribes. In a room of Spruce-tree House, according to Nordenskiöld, eight similar pieces of bone were found strung on a fine thong of hide.

Plate 35. BONE IMPLEMENTS

Among other bone objects there is one, of unknown use, about an inch long and one-fourth of an inch in diameter, nearly cylindrical in shape. A bone with a hole in one end, similar to those figured by Nordenskiöld, forms part of the collection.

The single specimen of turquoise found at Cliff Palace was probably an ear pendant, and a black jet bead was apparently used for the same purpose. With the polished cylinder of hematite found one can still paint the face or body a reddish color, as the Hopi do with a similar object. From the sipapu of kiva D there was taken a small deerskin bag, tied with yucca fiber and containing a material resembling iron pyrites, evidently an offering of some kind to the gods of the underworld.

A button made of lignite, and beads of the same material, were found in the refuse heap in front of the ruin after a heavy rain. The former is broken, but it resembles that found at Spruce-tree House, although it is not so finely made, and also one from Homolobi, a ruin on the Little Colorado, near Winslow, Arizona.

The cobs and seeds of corn, squash and pumpkin seeds, beans, and fragments of gourds give some idea of the vegetable products known to the Cliff Palace people. Corn furnished the most important food of the people, and its dried leaves, stalks, and tassels were abundant in all parts of their refuse heaps. Naturally, in a cave where many small rodents have lived for years, it is rare to find seed corn above ground that has not been appropriated by these animals, and in the dry, alkaline bone-phosphate dust edible corn is not very common, although now and then occurs a cob with attached seeds. The corn of Cliff Palace, already figured by Nordenskiöld, resembles that still cultivated by some of the Hopi.

FIG. 4.—Woven forehead band.

The Cliff Palace people manufactured fairly good cloth, the component cords or strings being of two or three strands and well twisted. So finely made and durable are some of these cords that they might be mistaken for white men's work; some of them, however, are very coarse, and are tied in hanks. Among varieties of cords may be mentioned those wound with feathers, from which textiles, employed in the manufacture of ordinarily called "feather cloth," was made. Yucca and cotton were almost all kinds of fabrics. A few fragments of netting were found.

The finest cloth was manufactured from cotton, a good specimen of which, showing a pattern woven in different colors, is contained in the collection.

Several woven belts, and also a head-band similar to that figured in the report on Spruce-tree House, were uncovered by the excavations.

The largest fragment of cloth was taken out of the crematory, or inclosure containing the calcined human bones, at the northern end of the larger refuse heap. It appears to have been a portion of a bag, or possibly of a head covering, but it is so fragmentary that its true use is unknown. The pattern is woven in darker colored threads, with a salvage at two ends. The material out of which it was made has not been definitely determined, but it closely resembles that of the specimen figured by Nordenskiöld (plate L) from Mug House. Our excavations were rewarded with a fine woven head-band with loops at the ends (fig. 4), similar to that described and figured in the report on Spruce-tree House. Several small fragments of cloth were recovered from the refuse heap, but none of them was large enough to indicate the form of the garment to which they originally belonged.

In the group of fabrics may be included nets and cloth with feathers wound around warp and woof, similar to those figured from Spruce-tree House.

There were several specimens of yucca strings, tied in loops, generally six in number, which presumably were devoted to the same purpose as by the present Hopi, who attach to the string six ears of corn, representing the cardinal points on the six-directions altar, and hang them on the walls of a priest's house. If the cliff-dwellers used this string for a similar purpose, it would appear that they, like the Hopi, recognized six cardinal points—north, west, south, east, above, and below—and worshiped gods of these directions, to which they erected altars.a

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aFor a Hopi six-directions altar, see Journal of American Ethnology and Archleology, vol II, 1892.

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